25 One example of how unintelligent the captain was depicted initially is that he was seen to wear his hat upside-down, only to fix it before he challenges Auto. In the finished film, he merely wears it casually atop his head, tightening it when he really takes command of the Axiom. 27 Originally, eve would have been electrocuted by auto, and then be quickly saved from ejection at the hands of the wall-a robots by wall-e. He would have then revived her by replacing her power unit with a cigarette lighter he brought from Earth. Stanton reversed this following a 2007 test screening, as he wanted to show eve replacing her directive of bringing the plant to the captain with repairing wall-e, and it made wall-e even more heroic if he held the holo-detector open despite being badly hurt. Stanton also moved the moment where wall-e reveals his plant (which he had snatched from the self-destructing escape pod) from producing it from a closet to immediately after his escape, as it made eve happier and gave them stronger motivation to dance around the ship. 25 Stanton felt half the audience at the screening believed the humans would be unable to cope with living on Earth and would have died out after the film's end.
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27 Stanton decided this was too bizarre and unengaging, and conceived humanity as "big babies". 26 Stanton developed the metaphorical theme essay of the humans learning to stand again and "growing up 26 28 wanting wall-e and eve's relationship to inspire humanity because he felt few films explore how utopian societies come to exist. 29 The process of depicting the descendants of humanity as the way they appear in the movie was slow. Stanton first decided to put a nose and ears on the gels so summary the audience could recognize them. Eventually, fingers, legs, clothes, and other characteristics were added until they arrived at the concept of being fetus-like to allow the audience to see themselves in the characters. 27 In a later version of the film, auto comes to the docking bay to retrieve eve's plant. The film would have its first cutaway to the captain, but Stanton moved that as he found it too early to begin moving away from wall-e's point-of-view. As an homage to get Smart, 30 Auto takes the plant and goes into the bowels of the ship into a room resembling a brain where he watches videos of buy n Large's scheme to clean up the earth falling apart through the years. Stanton removed this to keep some mystery as to why the plant is taken from eve. The captain appears to be unintelligent, but Stanton wanted him to just be unchallenged; otherwise he would have been unempathetic.
Lasseter and Steve jobs were impressed and officially began development, 21 though Jobs stated he did not like the title, originally spelled ". " 22 While the first act of wall-e "fell out of the sky" for Stanton, 16 he had originally wanted aliens to plant eve to explore earth and the rest of the film was different. When wall-e comes to the Axiom, he incites a spartacus -style rebellion by the robots against the remnants of the human race, which were cruel alien Gels (completely devolved, gelatinous, boneless, legless, see-through, green creatures that resemble jell-O ). James Hicks, a physiologist, mentioned to Stanton the concept of atrophy and the effects prolonged book weightlessness would have on humans living in space for an inordinately extended time period. 9 23 24 Therefore, this was the inspiration of the humans degenerating into the alien Gels, 25 and their ancestry would have been revealed in a planet of the Apes -style ending. 26 The gels also spoke a made-up gibberish language, but Stanton scrapped this idea because he thought it would be too complicated for the audience to understand and they could easily be driven off from the storyline. 27 The gels had a royal family, who host a dance in a castle on a lake in the back of the ship, and the Axiom curled up into a ball when returning to earth in this incarnation of the story.
14 Stanton also liked the imagery of stacked cubes of garbage. 15 he did not find the idea dark because having a planet covered in garbage was for him a childish imagining of disaster. 16 Stanton and Pete docter developed the film under the title of Trash Planet for two months in 1995, but they did not know how to develop plan the story and Docter chose to direct Monsters, Inc. 17 18 Stanton came up with the idea of wall-e finding a plant, because his life as the sole inhabitant on a deserted world reminded Stanton of a plant growing among pavements. 19 Before they turned their attention to other projects, Stanton and Lasseter thought about having wall-e fall in love, as it was the necessary progression away from loneliness. 16 Stanton started writing wall-e again in 2002 while completing Finding Nemo. 20 Stanton formatted his script in a manner reminiscent of Dan o'bannon 's Alien. O'bannon wrote his script in a manner Stanton found reminded him of haiku, where visual descriptions were done in continuous lines of a few words. Stanton wrote his robot dialogue conventionally, but placed them in brackets., stanton and a few others created a story reel of the first twenty minutes of the film.
Impishly makes another mark. M-o compulsively cleans. M-o (bleeps look, it stays clean. Wally wipes the bottom of his tread on m-o's face. Scrubs his own face. Stanton wrote the screenplay to focus on the visuals and as a guide to what the sound effects needed to convey 11 Andrew Stanton conceived wall-e during a lunch with fellow writers John Lasseter, pete docter, and joe ranft in 1994. Toy story was near completion and the writers brainstormed ideas for their next projects— a bug's Life, monsters, Inc., and Finding Nemo —at this lunch. Stanton asked, "What if mankind had to leave earth and somebody forgot to turn off the last robot?" 9 having struggled for many years with making the characters in toy story appealing, Stanton found his simple robinson Crusoe -esque idea of a lonely robot. 12 13 Stanton made wall-e a waste collector as the idea was instantly understandable, and because it was a low-status menial job that made him sympathetic.
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Constantly optimistic, forthright proposed the plan to evacuate earth's population to space, then clean up the planet so they could return within five years. However, the corporation soon abandoned the cleanup and recolonization, believing that Earth had become too toxic to support life. Forthright is the first live-action character writing with a speaking role in any pixar film. John Ratzenberger and Kathy najimy as John and Mary, respectively. John and Mary both live on the Axiom and are so dependent on their personal video screens and automatic services that they are oblivious to their surroundings, for instance not noticing that the ship features a giant swimming pool. However, they are brought out of their trances after separate encounters with wall-e, eventually meeting face-to-face for the first time.
Sigourney weaver as the voice of the Axiom 's computer. Stanton joked about the role with weaver, saying, "you realize you get to be 'mother' now?" 9 10 referring to the name of the ship's computer in the film Alien, which also starred weaver. 10 MacInTalk, the text-to-speech program for the Apple macintosh computers, was used for the voice of auto, the rogue artificial intelligence autopilot built into the ship. Unlike other robots in the film, auto is not influenced by wall-e, but instead follows directive a113, which is to prevent the Axiom and the humans from returning to earth because of the toxicity, and it works to prevent anyone from deviating from. Production edit Writing edit back on m-o and wally sic m-o just finishes cleaning the floor.
Ben Burtt as wall-e (Waste Allocation load Lifter: Earth-Class 8 the title character. Wall-e, a robot who has developed sentience, and is the only robot of his kind shown to be still functioning on Earth. He is a small mobile compactor box with all-terrain treads, three-fingered shovel hands, binocular eyes, and retractable solar cells for power. Although working diligently to fulfill his directive to clean up the garbage (all the while accompanied by his cockroach friend Hal and music playing from his on-board recorder) he is distracted by his curiosity, collecting trinkets of interest. He stores and displays these "treasures" such as a birdcage full of rubber ducks, a rubik's Cube, zippos, disposable cups filled with plastic cutlery and a golden trophy at his home where he examines and categorizes his finds while throwing away things like a diamond. Via an ipod viewed through a large Fresnel lens.
Burtt is also credited for the voice of m-o (Microbe-Obliterator a tiny, obsessively clean maintenance cleanerbot with rollers for arms who keeps the Axiom clean. Elissa Knight as eve (Extra-terrestrial Vegetation evaluator 8 a sleek robot probe whose directive is to locate vegetation on Earth and verify habitability. She has a glossy white egg-shaped body and blue led eyes. She moves using antigravity technology and is equipped with scanners, specimen storage and a " quasar ion cannon " in her arm, which she is quick to use. Jeff Garlin as Captain. McCrea, the commanding officer of the Axiom. He is merely a figurehead, with the ship's autopilot handling all true command functions. Fred Willard as Shelby forthright, the ceo of the buy n Large corporation, shown only in videos recorded around the time of the Axiom 's initial launch in the early 22nd century.
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Wall-e escapes, saving the plant, and he and eve reconcile and celebrate with a dance in space around the Axiom. Eve brings the plant back to McCrea, who watches eve's recordings of Earth and concludes that they have to return. However, auto refuses, revealing his own secret no-return directive a113, issued to Bnl autopilots after the corporation concluded in 2110 that the planet could not be write saved. Auto mutinies, tasering wall-e and deactivating eve, and throwing them both down the garbage chute. Eve automatically reactivates and helps wall-e bring the plant to the ship's Holo-detector chamber; auto tries to close the chamber, crushing wall-e when he struggles to keep it open. McCrea, seeing wall-e's sacrifice, is inspired to challenge and deactivate auto and destroy go-4 while eve inserts the plant to activate the hyperjump. Having arrived back on Earth, eve repairs and reactivates wall-e, but finds that his memory has been reset paper and his personality is gone. Heartbroken, eve gives wall-e a farewell kiss, which sparks his memory back to life and restores his original personality. Wall-e and eve reunite as the humans and robots of the Axiom begin to restore earth and its environment.
The Axiom 's passengers have become obese and feeble due to ativa microgravity and reliance on an automated lifestyle, including the ship's current captain, McCrea, who leaves the ship under the control of the robotic autopilot, auto. Eve is taken to the bridge, with wall-e tagging along. McCrea is unprepared for a positive probe response, but learns that placing eve's plant in the ship's Holo-detector for verification will trigger a hyperjump back to earth so humanity can recolonize. The plant proves to be missing from eve's storage compartment, though, and she blames wall-e for its disappearance. With the plant missing, eve is deemed faulty and taken to diagnostics. Wall-e misinterprets the procedure as torture, and in intervening accidentally frees a group of malfunctioning robots and causes both eve and himself to be designated as rogue robots. Frustrated, eve takes wall-e to an escape pod to send him home, but they are interrupted when go-4 arrives with the plant, having stolen it from eve on auto's orders. Go-4 places the plant in an escape pod and sets it to self-destruct, but wall-e enters just before it is jettisoned.
Nebula Award for Best Script. The film also topped Time 's list of the "Best movies of the decade was voted 29th among 100 films considered the best of the 21st century by 117 film critics from around the world. 7 Contents In 2805, earth is abandoned and covered in garbage, its population having been evacuated by megacorporation buy-n-large on giant starliners 700 years earlier. BnL has left behind wall-e robot trash compactors to clean up; however, all have since stopped functioning, except one unit who has gained sentience and is scavenging parts from other units to remain active. One day, wall-e discovers a healthy seedling, which he returns to his home. Later, an unmanned spaceship lands and deploys an eve probe to scan the planet. Wall-e is infatuated with eve, who is initially hostile but gradually befriends him. When wall-e brings eve to his trailer and shows her the plant, however, she suddenly takes the plant and goes into standby mode. Wall-e, confused, unsuccessfully tries to reactivate her. The ship then returns to collect eve, and with wall-e clinging on, returns to its mothership, the starliner Axiom.
However, he is visited by a probe sent by the. Axiom ship, whom he falls in love with and pursues across the galaxy. After directing, finding Nemo, stanton felt Pixar had created believable simulations of underwater physics and was willing to direct a film set largely in space. Wall-e has minimal dialogue in its early sequences; many of the characters do not have voices, but instead communicate with body language and robotic sounds designed by burtt. The film criticizes consumerism, corporatism, nostalgia, waste management, human environmental impact and concerns, obesity, and global catastrophic risk. 3 It is also pixar's first animated film with segments featuring live-action characters. Following Pixar tradition, wall-e was paired with a short film titled Presto for its theatrical release. Wall-e was released in the United States on June 27, 2008.
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This article is about the film. For the soundtrack, see. For the video game, see. Wall-e (stylized with an interpunct as, walle ) is a 2008 American computer-animated science fiction film produced by, pixar Animation Studios for, walt Disney pictures. It was directed and co-written. Andrew Stanton, produced by, jim Morris, and co-written by, jim reardon. It stars the voices. Ben Burtt, elissa Knight, jeff Garlin, fred Willard, john Ratzenberger, kathy najimy, presentation sigourney weaver, and the, macInTalk system, and was the overall ninth feature film produced by the company. It follows a trash compactor robot in a deserted world, left to clean a largely abandoned city.