Modern female writers

modern female writers

List of modernist women writers - wikipedia

Cavendish stated that she was not concerned that the best people like her writing, as long as many people did. She justified this by linking fame to noise and noise to great numbers of people. Cavendish often assumed a defensive position in her epistles, here justified by her assertion that she expected critiques from males and females not only on her writing, but on her practice of writing itself, as women writers were not encouraged. To this cavendish argued that women who busy themselves writing will not act inappropriately or gossip. Though she anticipated criticism from females, she calls for female support so that she might gain honour and reputation. She closed by stating that if she should fail, she would see herself as being martyred for the cause of women. Defence of Writing and Fame edit In her epistle to mistress Toppe, cavendish stated that her main reason for writing was her desire for fame.

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Cavendish commonly used the epistles to call attention to and excuse potential weaknesses in her writing. The epistles were directed to specific audiences and varied accordingly. The following is an account of several intent of cavendish's epistles from poems and Fancies. Mental Spinning edit In her epistle dedication to sir Charles cavendish, her brother in law, cavendish compared writing poetry to spinning and described poetry as mental reviews spinning. She noted that while it was commonly thought to be more appropriate for women to spin than to write, she herself was better at writing. This is one of several occasions where cavendish calls attention to stereotypical gender roles, such as the belief that women should spin and not write, and then expands upon her reasons for not adhering to them. As in this epistle, cavendish often employed metaphors to describe her writing in terms of stereotypically feminine tasks or interests, such as spinning, fashion, and motherhood. While cavendish criticized her own work, she asserted that it would seem better if Sir Charles cavendish looked favorably upon. Cavendish often appealed to the reader to applaud her work, asserting that if it was well received it would actually be somewhat improved. She conclude by complimenting Charles' charity and generosity. The pursuit of Fame edit In her epistle to noble and worthy ladies, as in many of her epistles, cavendish straightforwardly expressed her desire for fame.

She said she had difficulty creating rhymes that could communicate her intended meaning. In short, cavendish stated that she strove to assignment keep meaning at the expense of elegance, as her aim was to successfully communicate her ideas. She also noted that she expected her work to be criticized for not being useful. In response, she stated that she wrote not to instruct her readers in the arts, sciences or divinity, but to pass her time, asserting that she made better use of her time than many others. Cavendish returned to these assertions throughout her epistles and poems. Epistle dedicatory edit like authors such as Aphra behn and William Wordsworth, cavendish revealed much about her intended audience, writing purpose and philosophy in her prefaces, prologues, epilogues and epistles to the reader. Cavendish wrote several epistle dedications for poems and Fancies. The epistles were most often justifications of her writing both in terms of her decision to write at a time when women writers were not encouraged and in terms of her subject choice. Cavendish used the epistles to instruct readers how they ought to read and respond to her poetry, most often by inviting praise from supporters and requesting silence from those who did not like her work.

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She said that she felt justified in writing her memoirs since it had been done by others, such as caesar and ovid. Poems and Fancies (1653) edit poems and Fancies is a collection of poems, epistles, and some prose, written by cavendish on a variety of themes. Topics included natural philosophy, atoms, nature personified, macro/microcosms, other worlds, death, battle, hunting, love, honour, and fame. Her poems at times take the form of dialogues between such things as earth and darkness, an oak and a man cutting it down, melancholy and mirth, and peace and war. As noted apple by mistress Toppe (see below formerly Elizabeth Chaplain and cavendish's fuller maid, 22 cavendish's writings took the form of poetical fiction, moral instruction, philosophical opinion, dialogue, discourses and poetical romances. Poems and Fancies also included The Animal Parliament, a prose piece consisting largely of speeches and letters. The collection concludes with cavendish's thoughts on her writing and an advertisement promoting one of her future publications. Cavendish's Authorial Intent edit cavendish concluded the collection by stating that she was aware that she did not write elegantly and that her phrasing and placement of words could be criticized.

Extreme bashfulness and health edit cavendish asserted in a true relation of my birth, Breeding, and Life that her bashful nature, what she described as " melancholia made her "repent my going from home to see the world abroad." This melancholic nature manifested itself. 21 Fashion and Fame edit In her memoir, cavendish explained her enjoyment in reinventing herself through fashion. She said that she aimed for uniqueness in her dress, thoughts, and behavior, and that she disliked wearing the same fashions as other women. She also made her desire to achieve fame public. Several passages of her memoir remarked upon her virtuous character, and that while she acknowledged goodness in others, she thought it acceptable that she should hope to be better than them. Cavendish said her ambition was to have everlasting fame. She also expected to be criticized for her decision to write a memoir. She responded by stating that she wrote the memoir for herself not for delight, but so that later generations would have a true account of her lineage and life.

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modern female writers

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15 cavendish never had any children, despite efforts made by her physician to help her inability to conceive. 18 Her husband had two children from a previous marriage to survive infancy who went on to write a comedy that portrayed the couple as newlyweds. 18 cavendish later went on to write a biography on her husband, entitled The life of the Thrice noble, high and puissant Prince william cavendishe. In her dedication to her husband, cavendish recounts a time when there were essay rumors surrounding the authorship of her works (specifically that her husband wrote them). Cavendish notes that her husband defended her amidst these accusations. But, she does admit to a creative relationship with her husband. Cavendish even gives him credit as her writing tutor.

Her own writing "fashions an image of a husband and wife who rely on each other in the public realm of print." 19 Financial problems edit a few years after her marriage, cavendish and her husband's brother, sir Charles cavendish, returned to England. Cavendish had heard that her husband's estate ( sequestrated due to his being a royalist delinquent ) was to be sold and that she, as his wife, small could hope to benefit from the sale. Cavendish, however, received no benefit. She pointedly noted that while many women petitioned for funds, she herself only petitioned once and, being denied, decided such efforts were not worth the trouble. After a year and a half she left England to be with her husband again.

She notes that while she was very confident in the company of her siblings, amongst strangers she became extremely bashful. Cavendish explains that she was afraid she might speak or act inappropriately without her siblings' guidance, which would go against her ambition to be well received and well liked. She spoke only when absolutely necessary and, consequently, she came to be regarded as a fool. Cavendish excused her behaviour by stating that she preferred to be received as a fool rather than as wanton or rude. Regretting that she had left home to be a lady-in-waiting, cavendish informed her mother she wanted to leave the court.

Her mother, however, persuaded cavendish to stay rather than disgrace herself by leaving and provided her with funds that, as cavendish notes, quite exceeded the normal means of a courtier. Cavendish remained a lady-in-waiting for two more years until she was married to william cavendish who was, at the time, marquis of Newcastle (he was later made duke). Marriage to william cavendish, marquis of Newcastle edit cavendish noted that her husband liked her bashfulness. She also stated that he was the only man she was ever in love with, loving him not for title, wealth or power, but for merit, justice, gratitude, duty, and fidelity. She believed these to be attributes that would hold people together, even through misfortune. She further credited such qualities as assisting her husband and her family to endure the suffering they experienced as a result of their political allegiance.

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She did not have a formal education but had access to write scholarly libraries and tutors, although she intimated that the children paid little attention to the tutors, who were "rather for formality than benefit". At an early age, cavendish was already putting her ideas and thoughts down on paper since during this time period it was not common or accepted for women to be publicly intelligent. She kept her intellectual endeavours within the privacy of her home. 14 15 The family was one of relatively significant means and cavendish indicated that despite being a widow, her mother chose to keep her family in a condition "not much lower" than when her father was alive; the children had access to "honest pleasures and. 17 Lady-in-waiting to queen Henrietta maria barbing edit When queen Henrietta maria was in Oxford, cavendish successfully appealed to her mother for permission to become one of her Ladies-in-waiting. Cavendish accompanied the queen upon her exile and moved to France. This took cavendish away from her family for the first time.

modern female writers

10 The memoir related cavendishs lineage, social status, fortune, upbringing, education, and marriage. Within the memoir, cavendish also described her pastimes and manners and offered an account of her own personality and ambition, including thoughts on her extreme bashfulness, contemplative nature, and writing. Cavendish also shared her views on gender (appropriate behavior and activity politics (Parliamentarians versus royalists) and class (the proper behavior of servants). Cavendish's memoir also detailed the lives of her family including a short biography of her brother Charles Lucas, one of the best civil War cavalier cavalry commanders who was executed by the parliamentarians for treason during the second English civil War. 12 In addition, cavendish addressed the economic and personal hardships she and her family faced as a result of war and political allegiance, such as the loss of estates and bereavements. Early years edit mary lucas, older sister of Margaret cavendish cavendish's father, staar Thomas Lucas, was exiled after a duel that resulted in the death of "one. Brooks he was pardoned by king James and returned to England in 1603. 13 As the youngest of eight children, cavendish recorded that she spent a great deal of time with her siblings.

London in 1667 and she criticized and engaged with members and philosophers. Thomas Hobbes, rené descartes, and Robert boyle. 6 She has been claimed as an advocate for animals and as an early opponent of animal testing. 7 Philosophical letters, 1664 The Blazing World, 1666 Grounds of Natural Philosophy, 1668, Frontispiece Grounds of Natural Philosophy, 1668, title page contents a true relation of my birth, Breeding, and Life (1656) edit cavendish published her autobiographical memoir a true relation of my birth, Breeding. 9 She wrote it at the age of 33, which is a topic of discussion for literary critics 10 One critic believes cavendishs autobiography was a way to establish credibility as well as construct a marketable image that would undercut her, in the opinion. 11 cavendish wrote her autobiography to compete with what people were saying about her during her lifetime as opposed to competing with what was written on her.

1, she became an attendant of queen. Henrietta maria and traveled with her into exile in France, living for a time at the court of the young. She became the second wife. William cavendish, 1st duke of Newcastle-upon-Tyne in 1645, when he was a marquess. 2, cavendish was a poet, philosopher, writer of prose romances, essayist, and playwright who published under her own name at a time when most women writers published anonymously. Her writing addressed remote a number of topics, including gender, power, manners, scientific method, and philosophy. Her utopian romance, the Blazing World, is one of the earliest examples of science fiction. 3, she is singular in having published extensively in natural philosophy and early modern science. 4, she published over a dozen original works; inclusion of her revised works brings her total number of publications to twenty-one.

Modern female writers and the Classics - royal Holloway, university

This article is about Margaret cavendish (1623-1673 poet and philosopher. For the later (1661-1717) Duchess of Newcastle of the same name, see. Margaret Holles, duchess of Newcastle-upon-Tyne. Portrait, margaret cavendish and her husband, william cavendish, 1st duke of Newcastle-upon-Tyne. Margaret Lucas cavendish, duchess of Newcastle-upon-Tyne (1623 15 December 1673) was an English aristocrat, philosopher, poet, scientist, fiction-writer, and playwright during the 17th century. Margaret Lucas, she was the youngest sister of prominent royalists Sir. John Lucas and, sir Charles Lucas, who owned the manor. John's Abbey reviews in, colchester.

Modern female writers
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